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Review of MUFFAT Florilegium primum

MUFFAT Florilegium primum

Performers’ interest in the music of Georg Muffat has always centred on his Armonico tributo of 1682, in which he...

Reviewed by Lindsay Kemp in issue: 02/2016

Review of MENDELSSOHN String Quartets Nos 1 & 2

MENDELSSOHN String Quartets Nos 1 & 2

The Cecilia Quartet came to international attention when they won the 2010 Banff Quartet Competition. These days they combine an...

Reviewed by Harriet Smith in issue: 02/2016

Review of SCHUMANN; HILLER Piano Quintets

SCHUMANN; HILLER Piano Quintets

Period-instrument recordings of Schumann’s chamber masterpiece didn’t much impress me when I surveyed them for a Gramophone Collection (12/07). This...

Reviewed by David Threasher in issue: 02/2016

Review of GRAINGER Music for Saxophones

GRAINGER Music for Saxophones

Niche is the word. Joyce Griggs gives us 50 minutes’ worth of Percy Grainger’s transcriptions and arrangements for saxophone ensemble...

Reviewed by Philip Clark in issue: 02/2016

Review of GLASS String Quartet No 5. String Sextet

GLASS String Quartet No 5. String Sextet

The Carducci Quartet’s impressive debut recording on Naxos featured the first four of Philip Glass’s string quartets (9/10). This release...

Reviewed by Pwyll ap Siôn in issue: 02/2016

Review of DVOŘÁK Piano Quartets

DVOŘÁK Piano Quartets

Dvořák’s masterly piano quartets find the augmented London Bridge Trio (Gary Pomeroy takes the viola line) offering sensitive, well-integrated readings...

Reviewed by Rob Cowan in issue: 02/2016

Review of BRAHMS; HINDEMITH; REGER Clarinet Quintets

BRAHMS; HINDEMITH; REGER Clarinet Quintets

The playing of Richard Mühlfeld coaxed Johannes Brahms out of retirement, into a glorious Indian summer yielding such works as...

Reviewed by Mark Pullinger in issue: 02/2016

Review of SCHUBERT; BRAHMS Piano Duos. Cello Sonatas

SCHUBERT; BRAHMS Piano Duos. Cello Sonatas

When Pieter Wispelwey points out that by playing neither the violin, viola, flute or arpeggione he’s missing out on no...

Reviewed by Charlotte Gardner in issue: 02/2016

Review of BARTÓK Works for Violin and Piano

BARTÓK Works for Violin and Piano

A very useful double-pack, this, which, although not always absolutely top-of-the-league performance-wise, is certainly good enough to convey the essence...

Reviewed by Rob Cowan in issue: 02/2016

Gramophone Classical Music Awards Winner
Review of TCHAIKOVSKY Selected Romances

TCHAIKOVSKY Selected Romances

Christian Heindl muses, in his booklet note, that Tchaikovsky’s songs might have achieved greater international fame if the composer had...

Reviewed by Mark Pullinger in issue: 02/2016

 

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