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Review of KAGEL improvisation ajoutée. rrrrr....

KAGEL improvisation ajoutée. rrrrr....

This is a fascinating CD; we hear sounds from a pipe organ far removed from the everyday world of choral...

Reviewed by Christopher Nickol in issue: 01/2017

Review of CHOPIN 24 Preludes SCHUMANN Fantasie

CHOPIN 24 Preludes SCHUMANN Fantasie

The Cuban-born American-based pianist Horacio Gutiérrez has enjoyed a successful international career for more than four decades, yet he’s made...

Reviewed by Jed Distler in issue: 01/2017

Review of CAVAZZONI Complete Organ Works

CAVAZZONI Complete Organ Works

Admirers of European keyboard music of the 16th century will welcome this recording of Cavazzoni’s complete organ works. The programme...

Reviewed by Christopher Nickol in issue: 01/2017

Review of BRITTEN Cello Suites

BRITTEN Cello Suites

Evidence of Quirine Viersen’s pedigree in period performance is inescapable in her performance of Britten’s three cello suites, written for...

Reviewed by Caroline Gill in issue: 01/2017

Review of BEETHOVEN Piano Sonatas Nos 7, 13, 109-111

BEETHOVEN Piano Sonatas Nos 7, 13, 109-111

Early and late works make up the fifth and final volume of Paavali Jumppanen’s Beethoven sonata cycle. He brings a...

Reviewed by Jed Distler in issue: 01/2017

Review of Elīna Garanča: Revive

Elīna Garanča: Revive

The newest role Elı-na Garan∂a has added to her stage repertoire is Léonor in Donizetti’s La favorite. This recital, though,...

Reviewed by Hugo Shirley in issue: 01/2017

Review of WAGNER Der Ring des Nibelungen

WAGNER Der Ring des Nibelungen

Rudolf Kempe (here caught in his second of four Bayreuth Ring years) is not a pusher nor a prodder nor...

Reviewed by Mike Ashman in issue: 01/2017

Review of PERGOLESI Adriano in Siria

PERGOLESI Adriano in Siria

Pergolesi had weightier operatic ambitions than the buffet-sized buffo of La serva padrona. In 1734 he served up the elaborate...

Reviewed by Neil Fisher in issue: 01/2017

Review of PAISIELLO Fedra

PAISIELLO Fedra

No, this is not Fedora. The Italian title masks the identity of Phaedra, wife of Theseus, whose passion for her...

Reviewed by Richard Lawrence in issue: 01/2017

Review of NYMAN The Man Who Mistook his Wife for a Hat

NYMAN The Man Who Mistook his Wife for a Hat

Michael Nyman’s 1986 opera The Man Who Mistook His Wife for a Hat is, like other minimalist stage works, a...

Reviewed by Philip Kennicott in issue: 01/2017


 

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