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Review of Bach Without Words: Instrumental movements and arrangements from Cantatas

Bach Without Words: Instrumental movements and arrangements from Cantatas

On the face of it, this is turkey-carving or eggnog-making Bach: an album of instrumental contrafacta, if that isn’t a...

Reviewed by Peter Quantrill in issue: 02/2017

Review of AUERBACH Arcanum SHOSTAKOVICH 24 Preludes

AUERBACH Arcanum SHOSTAKOVICH 24 Preludes

The viola possesses a voice of inimitable mellowness and mysticism, and it is also capable of the ironic gesture, as...

Reviewed in issue 02/2017

Review of Aquarelle Guitar Quartet: Aspects

Aquarelle Guitar Quartet: Aspects

As the Aquarelle Guitar Quartet point out in their booklet-note: ‘As four individuals with differing musical tastes, we have sought,...

Reviewed by William Yeoman in issue: 01/2017

Review of JS BACH Cantatas Nos 54, 82 & 170

JS BACH Cantatas Nos 54, 82 & 170

The question is not if but when a distinguished countertenor decides to record the Bach solo alto cantatas. The catalogue...

Reviewed by Jonathan Freeman-Attwood in issue: 01/2017

Gramophone Classical Music Awards Winner
Review of TCHAIKOVSKY; SIBELIUS Violin Concertos

TCHAIKOVSKY; SIBELIUS Violin Concertos

There is no violinist currently playing the high end of the international circuit that I would sooner go out of...

Reviewed by Edward Seckerson in issue: 01/2017

Review of HANDEL Alcina. Tamerlano

HANDEL Alcina. Tamerlano

These productions began life a few years apart in Drottningholm before double-bill revivals at the Dutch National Opera and La...

Reviewed by David Vickers in issue: 01/2017

Review of HÉROLD Le Pré Aux Clercs

HÉROLD Le Pré Aux Clercs

Operaphiles are indebted to the likes of Opera Rara and Palazzetto Bru Zane for dredging up long-lost works and reviving...

Reviewed by Mark Pullinger in issue: 01/2017

Review of SCARLATTI Missa defunctorum

SCARLATTI Missa defunctorum

Alessandro Scarlatti’s Missa defunctorum (1717) has never been recorded before, although it was performed at Stravinsky’s funeral in 1971. A...

Reviewed by David Vickers in issue: 01/2017

Review of Charles Richard-Hamelin: Chopin

Charles Richard-Hamelin: Chopin

Charles Richard-Hamelin is the 27-year-old Quebec-born pianist who won second prize at the Chopin Competition last year. Many apparently felt...

Reviewed by Patrick Rucker in issue: 01/2017

Review of Rostropovich Encores

Rostropovich Encores

Having released a hugely enjoyable Casals encores recording (Hyperion, 9/11), Alban Gerhardt is now back with Rostropovich encores. The first...

Reviewed by Charlotte Gardner in issue: 01/2017


 

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