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FELDMAN Palais de Mari CRUMB A Little Suite for Christmas

I can’t imagine Morton Feldman, cantankerous curmudgeon that he was, would have been thrilled at the prospect of having his...

Reviewed by Philip Clark in issue: 07/2016

CHOPIN Polonaises

Pascal Amoyel, the enigmatic French pianist whose explorations of Chopin include a set of Nocturnes (Calliope, 2004) and last year’s...

Reviewed by Patrick Rucker in issue: 07/2016

Imogen Cooper’s Chopin

From the disc’s title we must assume that this is Imogen Cooper’s idiosyncratic (perhaps contentious?) take on a composer with...

Reviewed by Jeremy Nicholas in issue: 07/2016

JS BACH Goldberg Variations

I first became aware of Pascal Dubreuil through his recording of Bach’s English Suites, which Lindsay Kemp praised with reservations...

Reviewed by Jed Distler in issue: 07/2016

Where'er You Walk: Arias For Handel's Favourite Tenor

‘A singer of great excellence. His voice was sound, male, powerful and extensive. His tones were natural and he had...

Reviewed by Alexandra Coghlan in issue: 07/2016

WOLF-FERRARI I gioielli della Madonna

It’s not quite true that this is the ‘World Premiere Recording’ of Ermanno Wolf-Ferrari’s über-verismo hit of 1911, as Naxos’s...

Reviewed by Hugo Shirley in issue: 07/2016

VERDI I Due Foscari

Plácido Domingo could put it no better than Francesco Foscari, the decrepit and embittered Doge. ‘So this is the vile...

Reviewed by Neil Fisher in issue: 07/2016

VERDI Un ballo in maschera

Orfeo here rounds up once more a production’s cast long known to collectors in both sound (numerous dealer labels) and...

Reviewed by Mike Ashman in issue: 07/2016

SCARLATTI La Gloria di Primavera

The serenata La gloria di Primavera (1716) was commissioned by the Neapolitan Duke Nicola Gaetani dell’Aquila d’Aragona for his wife...

Reviewed by David Vickers in issue: 07/2016

GOUNOD Faust

One ring to rule them all: a giant metallic ring dominates the set of this new production of Faust from...

Reviewed by Mark Pullinger in issue: 07/2016

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