Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There’s nothing icthyological, or even marine, about the contents, so the title ‘Bouillabaisse’ is a puzzle; the name of the...
Reviewed by Richard Lawrence in issue: 08/2016
This marks the debut recording of the Tulipa Consort, founded by the experienced Dutch soprano Johanette Zomer, whose discography has...
Reviewed by David Vickers in issue: 08/2016
Along with most of his other narrative works, Schütz’s three Passion settings date from the last decade of his life....
Reviewed by Fabrice Fitch in issue: 08/2016
‘Slow and soft’ were dominant epithets in David Patrick Stearns’s review of Florian Boesch’s earlier Schubert recital (Hyperion, 3/14). In...
Reviewed by Richard Wigmore in issue: 08/2016
‘Possibly of Irish origin’, says Grove, but the booklet-note states firmly that Henry Madin (1698-1748) was the son of a...
Reviewed by Richard Lawrence in issue: 08/2016
In this third instalment of the series, The Orlando Consort present a kind of minimalist Machaut. Most of the songs...
Reviewed by Fabrice Fitch in issue: 08/2016
Jehan de Lescurel’s known songs are all in a single manuscript from the second decade of the 14th century, and...
Reviewed by David Fallows in issue: 08/2016
The Archbishop of Canterbury’s scribbles on his order of service reveal that the music did not go smoothly during the...
Reviewed by David Vickers in issue: 08/2016
These two works were composed either side of Castelnouvo-Tedesco’s emigration to the United States in 1939 following Mussolini’s introduction of...
Reviewed by Tim Ashley in issue: 08/2016
The manuscript of André Campra’s Messe des morts in the Bibliothèque Nationale does not reveal when or why it was...
Reviewed by David Vickers in issue: 08/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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