Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a remarkable account of Beethoven’s Missa solemnis and, in one important respect, an unusual one. For though it...
Reviewed by Richard Osborne in issue: 08/2016
Terry Riley’s proto-minimalist classic In C is ordinarily launched via a punched out high-C pulse on a keyboard, a rallying...
Reviewed by Philip Clark in issue: 08/2016
How to describe Dowland’s Lachrimae, or Seaven Teares? Seven pavans for five-part viol consort with lute, each a subtle transformation...
Reviewed by Lindsay Kemp in issue: 08/2016
Vasily Petrenko’s gripping recording of Tchaikovsky’s Manfred Symphony with the Royal Liverpool Philharmonic (Naxos, 1/09) tantalised listeners that a complete...
Reviewed by Mark Pullinger in issue: 08/2016
After their scorching performance of the Tenth Symphony (8/15) raised the bar unassailably high, the question loomed as to whether...
Reviewed by Edward Seckerson in issue: 08/2016
This is a good time to be rediscovering post-war string quartets. The Heath Quartet’s recent Wigmore Hall Tippett set (3/16)...
Reviewed by Richard Bratby in issue: 08/2016
If ever there was an opera production made for the probing, roving eye of the camera, it’s Katie Mitchell’s Alcina,...
Reviewed by Alexandra Coghlan in issue: 08/2016
Perhaps the highest form of Baroque flattery was all-out copying, and with Bach all’italiano the young recorder player Simon Borutzki...
Reviewed by Charlotte Gardner in issue: 08/2016
By the fourth volume of a series delving into the forgotten repertoire of 16th-century Poland, you might expect The Sixteen...
Reviewed by Alexandra Coghlan in issue: 08/2016
There is much to be celebrated here as early music scholarship inspires joyful performances from the Choir of Gonville &...
Reviewed by Edward Breen in issue: 08/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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