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Review of STRADELLA La Circe

STRADELLA La Circe

Stradella’s serenata La Circe was commissioned by Princess Olimpia Aldobrandini, a Florentine whose deceased Roman husbands had been members of...

Reviewed by David Vickers in issue: 09/2016

Review of MOZART Le nozze di Figaro

MOZART Le nozze di Figaro

This is the fourth in the series of Mozart opera recordings from the Festspielhaus in Baden-Baden masterminded by Yannick Nézet-Séguin...

Reviewed by Richard Lawrence in issue: 09/2016

Review of MOZART Die Entführung aus dem Serail

MOZART Die Entführung aus dem Serail

Soon after the past year’s flurry from Jacobs (Harmonia Mundi, 10/15), Nézet-Séguin (DG, 8/15) and the Glyndebourne production by David...

Reviewed by David Vickers in issue: 09/2016

Review of MARTINŮ Julietta

MARTINŮ Julietta

Do you stay in the dream or wake up? Anticipating the red or blue pill choice offered to the hero...

Reviewed by Neil Fisher in issue: 09/2016

Review of LEHÁR Giuditta

LEHÁR Giuditta

Under the Mediterranean sun, a young soldier falls hard for a free-spirited beauty – and sacrifices honour and happiness in...

Reviewed by Richard Bratby in issue: 09/2016

Review of DONIZETTI Poliuto

DONIZETTI Poliuto

It was slightly unfortunate timing that Glyndebourne scheduled the UK professional premiere of Poliuto just six months after Opera Rara...

Reviewed by Mark Pullinger in issue: 09/2016

Review of Martha Argerich: Early Recordings

Martha Argerich: Early Recordings

The difficulty in writing about the piano playing of Martha Argerich is that it is now, and always has been,...

Reviewed by Patrick Rucker in issue: 08/2016

Review of WOLF Kennst du das Land?

WOLF Kennst du das Land?

A lovely Handel and Mozart singer, Sophie Karthäuser here proves herself a natural in Lieder. In a discography dominated by...

Reviewed by Richard Wigmore in issue: 08/2016

Review of MACMILLAN Since it was the Day of Preparation

MACMILLAN Since it was the Day of Preparation

Few composers in recent times have so unequivocally brought their faith into the concert arena as has James MacMillan. Here...

Reviewed by Marc Rochester in issue: 08/2016

Review of EŠENVALDS Passion according to St Luke. The First Tears

EŠENVALDS Passion according to St Luke. The First Tears

Ešenvalds’s St Luke Passion (2014) plunges the listener straight into the midst of the Crucifixion scene, rushing strings underlying the...

Reviewed by Ivan Moody in issue: 08/2016


 

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