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GUYOT Te Deum laudamus

The ensemble Cinquecento – resident in Vienna but international in their personnel – have made something of a career by...

Reviewed by David Fallows in issue: 05/2017

FELDMAN Three Voices

Morton Feldman’s 1982 Three Voices for female voice accompanied by two pre-recorded tracks relayed through a pair of giant loudspeakers...

Reviewed by Philip Clark in issue: 05/2017

COUPERIN L’apothéose de Lully. Leçons de Ténèbres

Having written recently about Christophe Rousset’s recording of Couperin’s L’apothéose de Lully with Stéphane Degout (Aparté, 12/16), I was surprised...

Reviewed by Julie Anne Sadie in issue: 05/2017

CALDARA Motetti a due a tre voci Op 4

Gerhard Poppe’s booklet-notes for this disc paint a picture of Antonio Caldara that is more strictly truthful than enticing –...

Reviewed by Alexandra Coghlan in issue: 05/2017

CANNON Lord of Light: A Gloucester Requiem

His passing may have gone largely unnoticed but Philip Cannon (1929-2016) was a highly respected figure still to receive his...

Reviewed by Richard Whitehouse in issue: 05/2017

BRAHMS Ein deutsches Requiem

There is an ecumenical irony to the appearance of this German Requiem, in Reformation anniversary year, from a seat of...

Reviewed by Peter Quantrill in issue: 05/2017

JS BACH St John Passion (Live)

Comparisons can be odious but are sometimes inevitable. For donkey’s years it has been possible to pick up at a...

Reviewed by David Vickers in issue: 05/2017

Krassimira Stoyanova: Verismo

It’s not long since Anna Netrebko’s ‘Verismo’ appeared (DG, 10/16), and Angela Gheorghiu has just announced a return to the...

Reviewed by Hugo Shirley in issue: 05/2017

Xavier Sabata : Catharsis

Notwithstanding several spelling errors in the track-listing on Aparté’s back cover, this recital album’s intelligent variety of dramatic atmospheres give...

Reviewed by David Vickers in issue: 05/2017

SALIERI Europa riconosciuta

Milan’s famous Teatro alla Scala was inaugurated on August 3, 1778 with a production of Salieri’s new serious opera Europa...

Reviewed by David Vickers in issue: 05/2017

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