Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As the Aquarelle Guitar Quartet point out in their booklet-note: ‘As four individuals with differing musical tastes, we have sought,...
Reviewed by William Yeoman in issue: 01/2017
The question is not if but when a distinguished countertenor decides to record the Bach solo alto cantatas. The catalogue...
Reviewed by Jonathan Freeman-Attwood in issue: 01/2017
There is no violinist currently playing the high end of the international circuit that I would sooner go out of...
Reviewed by Edward Seckerson in issue: 01/2017
These productions began life a few years apart in Drottningholm before double-bill revivals at the Dutch National Opera and La...
Reviewed by David Vickers in issue: 01/2017
Operaphiles are indebted to the likes of Opera Rara and Palazzetto Bru Zane for dredging up long-lost works and reviving...
Reviewed by Mark Pullinger in issue: 01/2017
Alessandro Scarlatti’s Missa defunctorum (1717) has never been recorded before, although it was performed at Stravinsky’s funeral in 1971. A...
Reviewed by David Vickers in issue: 01/2017
Charles Richard-Hamelin is the 27-year-old Quebec-born pianist who won second prize at the Chopin Competition last year. Many apparently felt...
Reviewed by Patrick Rucker in issue: 01/2017
Having released a hugely enjoyable Casals encores recording (Hyperion, 9/11), Alban Gerhardt is now back with Rostropovich encores. The first...
Reviewed by Charlotte Gardner in issue: 01/2017
If there was one thing we learnt about the Ehnes Quartet from their debut recording in 2014 – Shostakovich’s Seventh...
Reviewed by Charlotte Gardner in issue: 01/2017
In October 2014 Yodit Tekle – the partner of Toccata Classics’ founder Martin Anderson – was diagnosed with cancer. Anderson...
Reviewed by Guy Rickards in issue: 01/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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