Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If you fancy a set of the Beethoven piano concertos that’s suitable for listening to at a single sitting, then...
Reviewed by Rob Cowan in issue: 01/2017
A quick recap on the story behind Daniel Barenboim’s new piano. It all began with Liszt – when Barenboim went...
Reviewed by Harriet Smith in issue: 01/2017
Bruce Levingston’s close association with Philip Glass over the years has seen him perform duets with the composer and produce...
Reviewed by Pwyll ap Siôn in issue: 01/2017
William Youn is a pianist of great sensitivity, as previous reviewers of his Mozart sonata cycle have noted (5/14). But...
Reviewed by Harriet Smith in issue: 01/2017
The Japanese pianist Kotaro Fukuma, now in his early thirties, begins this impressive album with his own arrangement of Smetana’s...
Reviewed by Jeremy Nicholas in issue: 01/2017
Jean Muller’s new Soupir disc is a study in stylistic diversity, from the mid-19th-century Romanticism of Brahms’s First Sonata to...
Reviewed by Patrick Rucker in issue: 01/2017
At the turn of the 19th century the Viennese musical elite loved nothing more than a gladiatorial keyboard contest. One...
Reviewed by Richard Wigmore in issue: 01/2017
Interest in Arthur Lourié (1892-1966), the erstwhile Soviet music commissar who defected to the West in 1922, seems to be...
Reviewed by Patrick Rucker in issue: 01/2017
This is a fascinating CD; we hear sounds from a pipe organ far removed from the everyday world of choral...
Reviewed by Christopher Nickol in issue: 01/2017
The Cuban-born American-based pianist Horacio Gutiérrez has enjoyed a successful international career for more than four decades, yet he’s made...
Reviewed by Jed Distler in issue: 01/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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