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Review of KANDER Hermestänze. Solo Sonata. A Garden’s Time Piece

KANDER Hermestänze. Solo Sonata. A Garden’s Time Piece

All three of Susan Kander’s works on this new MSR Classics release have personal ties, even beyond the fact that...

Reviewed by Laurence Vittes in issue: 07/2017

Review of DE RITIS Pop Concerto

DE RITIS Pop Concerto

Boston Modern Orchestra Project’s first CD devoted to Anthony Paul De Ritis (b1968) was warmly received in these pages (10/12)....

Reviewed by Guy Rickards in issue: 07/2017

Review of BOYKAN Rites of Passage

BOYKAN Rites of Passage

Martin Boykan (b1931), a native of New York City, is one of the US’s most distinguished composers. A pupil of...

Reviewed by Guy Rickards in issue: 07/2017

Review of BOLCOM Piano Rags

BOLCOM Piano Rags

William Bolcom has proved his compositional versatility in virtually every genre you can name. As a masterly pianist, he has...

Reviewed by Donald Rosenberg in issue: 07/2017

Review of Pace e Guerra

Pace e Guerra

The Swiss-American countertenor Terry Wey has taken roles in a number of Baroque opera recordings, as well as some Bach...

Reviewed by Lindsay Kemp in issue: 07/2017

Review of Johan Botha: Wiener Staatsoper Live

Johan Botha: Wiener Staatsoper Live

When the South African tenor Johan Botha died in September last year, the opera world lost one of its most...

Reviewed by Hugo Shirley in issue: 07/2017

Review of WAGNER Parsifal (Elder/Hallé)

WAGNER Parsifal (Elder/Hallé)

Wagner’s final masterpiece has been well served on disc over the last few years, with new sets from Marek Janowski...

Reviewed by Hugo Shirley in issue: 07/2017

Review of VERDI Otello

VERDI Otello

Audiences at the Festival Castell de Peralada are evidently less concerned than many in the 21st-century opera world about how...

Reviewed by Hugo Shirley in issue: 07/2017

Review of VERDI Un ballo in maschera

VERDI Un ballo in maschera

In the last decade or so Covent Garden has hosted two pretty dismal passes at Verdi’s conspiracy thriller – three...

Reviewed by Neil Fisher in issue: 07/2017

Review of RAVEL L'Heure Espagnol

RAVEL L'Heure Espagnol

Smut and sophistication rub shoulders in Ravel’s wonderfully sardonic sex comedy, first performed at the Opéra-Comique in 1911. It’s a...

Reviewed by Tim Ashley in issue: 07/2017


 

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