Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The title ‘Blue Hour’ is meant to convey that post-sunset glow before nightfall and might well conjure up a mood...
Reviewed by Mark Pullinger in issue: 06/2019
This pair of CDs was recorded live earlier this year to celebrate the music of John Williams and the centenary...
Reviewed by Adrian Edwards in issue: 06/2019
The four concertante works that feature on this recording under the direction of the clarinettist and conductor Michael Collins include...
Reviewed by Christian Hoskins in issue: 06/2019
Carl Philipp Stamitz (1745-1801) was the scion of a Bohemian musical family that reached its peak in the mid- and...
Reviewed by David Threasher in issue: 06/2019
Markus Maskuniitty began his orchestral career as first horn in the Gustav Mahler Jugendorchester. Since then, he’s served as principal...
Reviewed by Andrew Farach-Colton in issue: 06/2019
Pentatone returns to Schubert’s youthful symphonic output just a matter of months after its issue of the B’Rock Orchestra’s disc...
Reviewed by David Threasher in issue: 06/2019
Why do Saint-Saëns’s youthful symphonies get such a bad rap? Even Roger Nichols apologises more than is necessary for Urbs...
Reviewed by Andrew Farach-Colton in issue: 06/2019
It’s weeks since I reviewed the last disc of orchestral music by Bernard Rands. No, I hadn’t heard of him...
Reviewed by Andrew Mellor in issue: 06/2019
The Isle of the Dead might be regarded as the makeweight here but it has long been a Jurowski speciality...
Reviewed by David Gutman in issue: 06/2019
Having recorded Prokofiev’s complete works for violin and piano with Ronald Brautigam (Challenge Classics, 5/13), Isabelle van Keulen might have...
Reviewed by David Gutman in issue: 06/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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