Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Beethoven apparently once described himself as a new Bacchus. So he’d surely have approved of the winery in Napa Valley...
Reviewed by Richard Bratby in issue: 07/2019
When the Van Baerle Trio released the first disc in their Beethoven cycle (4/18), I reviewed it here with a...
Reviewed by Richard Bratby in issue: 07/2019
These are extremely well-focused and well recorded performances, the cello cadenza near the opening of the First Quartet’s third movement...
Reviewed by Rob Cowan in issue: 07/2019
Presently a bassoonist with the Berlin Philharmonic, Václav Vonášek founded the Arundo wind ensemble as a trio in 2003, and...
Reviewed by Peter Quantrill in issue: 07/2019
It is no hardship to review yet another Saint-Saëns piano concerto recording when it is as good as this, and...
Reviewed by Jeremy Nicholas in issue: 06/2019
‘Write me symphonies like Beethoven’s and I’ll play them!’ Jules Pasdeloup told Charles Gounod. Nowadays, we associate the French composer...
Reviewed by Mark Pullinger in issue: 06/2019
Many will remember the 2016 BBC Young Musician of the Year as that rare old tussle between two very different...
Reviewed by Pwyll ap Siôn in issue: 06/2019
Swiss recorder supremo Maurice Steger’s latest offering is a fun-filled imagining of the sorts of musical interludes that might have...
Reviewed by Charlotte Gardner in issue: 06/2019
Amy Dickson’s recordings seem to fall into two categories: new music, with a focus on minimalists and composers from her...
Reviewed by Andrew Farach-Colton in issue: 69
The Royal Concertgebouw’s ‘Horizon’ series continues with this collection of relative hits and misses. It’s unfortunate that these latter should...
Reviewed by Richard Whitehouse in issue: 06/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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