Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Outside France, Robert Casadesus (1899-1972) was arguably the best-known French pianist of his generation, one whose artistry has long warranted...
Reviewed by Jed Distler in issue: 06/2019
I was born and raised in Boston, so I feel as if I grew up with Seiji Ozawa, musically speaking....
Reviewed by Andrew Farach-Colton in issue: 06/2019
This second album from the three brothers from Bratislava and their brother-in-law from Switzerland may hardly be revolutionary but it’s...
Reviewed by Laurence Vittes in issue: 06/2019
This radiant new Palestrina recital from the Greenwich Village-based Choir of St Luke in the Fields commands tonal beauty and...
Reviewed by Laurence Vittes in issue: 05/2019
Lei Liang (b1972) was born in China then in the grip of the Cultural Revolution, but left to study in...
Reviewed by Guy Rickards in issue: 06/2019
Naxos’s American Classics series turns to Truman Harris (b1945), his tenures as bassoonist in Washington’s National Symphony and Eclipse Chamber...
Reviewed by Richard Whitehouse in issue: 06/2019
‘There is always some madness in love. But there is also always some reason in madness’, Nietzsche wrote. His words...
Reviewed by Tim Ashley in issue: 06/2019
Clouds of doubt may have recently gathered around Leonardo da Vinci’s Salvator mundi – the most expensive painting in the...
Reviewed by Alexandra Coghlan in issue: 06/2019
Inspired by seven surviving vihuela songbooks published between 1536 and 1576, this programme proffers a newly imagined book ‘as if...
Reviewed by Edward Breen in issue: 05/2019
In addition to accompanying their 2019 Choral Pilgrimage, The Sixteen’s latest disc also serves as a celebration of the choir’s...
Reviewed by Malcolm Riley in issue: 06/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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