Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
em>Hamlet tends to get under the skin, but it’s a sign of how seriously Brett Dean took his 2010 Glyndebourne...
Reviewed by Andrew Mellor in issue: 10/2024
For the second release in his projected survey of Brahms’s complete songs on Linn, Malcolm Martineau is joined by mezzo...
Reviewed by Hugo Shirley in issue: 10/2024
Teacher and pupil Einojuhani Rautavaara and Kalevi Aho sit well together, not least as each tempered stringent formal principles with...
Reviewed by Andrew Mellor in issue: 10/2024
The grim cloak of war informs all of the music on this disc to varying degrees, as discussed in vivid...
Reviewed by Jed Distler in issue: 10/2024
Though born in Paris, Jean-Paul Gasparian identifies as ethnically Armenian. He will be 29 this year and has already amassed...
Reviewed by Patrick Rucker in issue: 10/2024
Do Anna Fedorova’s colourfully succinct descriptions of the works featured on this musical journey from darkness to light spill over...
Reviewed by Jed Distler in issue: 10/2024
Notwithstanding the inclusion of Liszt’s first Valse oubliée, why call this smartly programmed collection ‘Forgotten Dances’ when the performances are...
Reviewed by Jed Distler in issue: 10/2024
This corncucopia of light piano pieces from Paul Guinery will come as no surprise to many of us who followed...
Reviewed by Adrian Edwards in issue: 10/2024
Of all the composers whom the great Andrés Segovia invited to infuse the classical guitar repertoire with fresh blood in...
Reviewed by William Yeoman in issue: 10/2024
Bruce Liu’s new album of music by Satie raises important questions about the relationship between performer and instrument. Does the...
Reviewed by Pwyll ap Siôn in issue: 10/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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