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Review of Eleonora Buratto: Indomita

Eleonora Buratto: Indomita

‘A fitting description of me’ is how Eleonora Buratto describes the title of her debut recital in a booklet note,...

Reviewed by Tim Ashley in issue: 05/2025

Review of VERDI Simon Boccanegra (original 1857 version. Elder)

VERDI Simon Boccanegra (original 1857 version. Elder)

All lovers of Verdi will relish this excellent studio recording of the first version of Simon Boccanegra. Commissioned by the...

Reviewed by Richard Lawrence in issue: 05/2025

Review of TIPPETT New Year (Brabbins)

TIPPETT New Year (Brabbins)

Towards the end of 1984, when Michael Tippett was about to celebrate his 80th birthday, I wrote in an essay...

Reviewed by Geraint Lewis in issue: 05/2025

Review of TCHAIKOVSKY Eugene Onegin (Altinoglu)

TCHAIKOVSKY Eugene Onegin (Altinoglu)

When it comes to farce, fantasy and fairy tale, Laurent Pelly is such a gifted director: his ‘giant haystacks’ L’elisir...

Reviewed by Mark Pullinger in issue: 05/2025

Review of STRAVINSKY Le rossignol (Roth)

STRAVINSKY Le rossignol (Roth)

The coloratura twittering of ‘Ah, joie, emplis mon coeur’ from Stravinsky’s miniature opera Le rossignol was a highlight of Sabine...

Reviewed by Mark Pullinger in issue: 05/2025

Review of SHOSTAKOVICH Lady Macbeth of the Mtsensk District (Nelsons)

SHOSTAKOVICH Lady Macbeth of the Mtsensk District (Nelsons)

Theodor Adorno once described a true performance as ‘a copy of a non-existent original’. It is tempting to think that...

Reviewed by Aleksander Laskowski in issue: 05/2025

Review of PICCINI Son regina e sono amante (Rosa Feola)

PICCINI Son regina e sono amante (Rosa Feola)

A candidate for the most prolific opera composer of his day – and there was plenty of competition – Niccolò...

Reviewed by Richard Wigmore in issue: 05/2025

Review of OFFENBACH La Vie Parisienne (Dumas)

OFFENBACH La Vie Parisienne (Dumas)

La vie parisienne is a mischief-making vaudeville commissioned from Offenbach and his two famously freewheeling, free-spirited librettists, Henri Meilhac and...

Reviewed by Richard Osborne in issue: 05/2025

Review of MOZART Die Zauberflöte (Wahlberg)

MOZART Die Zauberflöte (Wahlberg)

With a nod to René Jacobs’s 2009 recording (Harmonia Mundi, A/10), Martin Wåhlberg conceives Mozart’s ‘comedy with machines’ as a...

Reviewed by Richard Wigmore in issue: 05/2025

Review of Aryeh Nussbaum Cohen: Uncharted

Aryeh Nussbaum Cohen: Uncharted

A countertenor singing Korngold lieder? In theory, no repertoire is off limits to any voice type – as long as...

Reviewed by David Patrick Stearns in issue: 05/2025


 

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