Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The sharp-eyed reader of Michael Kennedy’s standard work on the music of Vaughan Williams will remember that he composed three...
Reviewed by Geraint Lewis in issue: 10/2024
That the Verona-born violinist and composer Giuseppe Torelli has long been recognised as an important figure in the development of...
Reviewed by Lindsay Kemp in issue: 10/2024
This is a superb performance of Taneyev’s massive and meaty Piano Quintet. Like Mikhail Pletnev and his starry quartet of...
Reviewed by Andrew Farach-Colton in issue: 10/2024
Until now, Joshua Bell, Steven Isserlis and Jeremy Denk have joined up on only a single recording, which featured the...
Reviewed by Peter J Rabinowitz in issue: 10/2024
As I write this review David Matthews has probably already finished his String Quartet No 18! Only the Seventh (with...
Reviewed by Geraint Lewis in issue: 10/2024
In her booklet note to La Rêveuse’s latest superb release, the ensemble’s co-founder, gamba player Florence Bolton, remarks how the...
Reviewed by William Yeoman in issue: 10/2024
You’re never quite sure what to expect with Anna Clyne’s music, and that’s not meant as a criticism in any...
Reviewed by Pwyll ap Siôn in issue: 10/2024
Francis Purcell Warren (‘Bunny’ to his friends) was a gifted viola player killed, when only 21, at the Battle of...
Reviewed by Geraint Lewis in issue: 10/2024
When it comes to explosively vibrant album-opening chords, it takes some doing to top the Red-Bull-meets-fireworks-show shot of musical adrenalin...
Reviewed by Charlotte Gardner in issue: 10/2024
Gerard Schurmann throws down the gauntlet at the beginning of his Piano Concerto from 1972 73 with an opening cadenza...
Reviewed by Adrian Edwards in issue: 10/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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