Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Until recently girls had little choice when it came to top-level choristerships. The news that both St John’s, Cambridge, and...
Reviewed by Alexandra Coghlan in issue: 08/2022
After Winterreise (4/14) and Schwanengesang (A/19), Gerald Finley and Julius Drake arrive at Die schöne Müllerin. As with the previous...
Reviewed by Hugo Shirley in issue: 08/2022
After an impressive debut album devoted to Schumann (11/20), the young German baritone Samuel Hasselhorn turns to Schubert for his...
Reviewed by Hugo Shirley in issue: 08/2022
A search reveals that the name of Pietro (or Pier) Giuseppe Sandoni has never appeared in Gramophone before, so a...
Reviewed by Lindsay Kemp in issue: 08/2022
What a delicious surprise this has turned out to be. I’ll wager only a tiny minority of true Ravel aficionados...
Reviewed by Edward Seckerson in issue: 08/2022
This is the fourth complete recording of Pettersson’s 24 Barefoot Songs for voice and piano (1943 c1949), the first to...
Reviewed by Guy Rickards in issue: 08/2022
This is an imaginative and colourful juxtaposition of sacred music for choir and orchestra, different in style and intention as...
Reviewed by Ivan Moody in issue: 08/2022
Katharina Bäuml and her stylish period wind ensemble are back. Recent recordings have been all-German affairs, but now Capella de...
Reviewed by Alexandra Coghlan in issue: 08/2022
Three years after moving to Paris, the violinist Jean-Joseph Cassanéa de Mondonville began his long association with the Concert Spirituel...
Reviewed by David Vickers in issue: 08/2022
Like Britten and Shostakovich a century later, Liszt tended to use fewer notes the older he got. Denouncing his early...
Reviewed by Richard Wigmore in issue: 08/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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