Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Dong Hyek Lim’s Schubert is pianistically proficient, if not consistently enlivening from a musical standpoint. In the A major opening...
Reviewed by Jed Distler in issue: 08/2022
Writing to one of his contemporary champions, the Venezuelan-born Frenchman Reynaldo Hahn admitted that he valued the other arts as...
Reviewed by Michelle Assay in issue: 08/2022
In this first of what will apparently be two volumes of Grieg’s Lyric Pieces, Peter Donohoe digs deep into this...
Reviewed by Patrick Rucker in issue: 08/2022
Jonas Nordberg writes in a brief booklet note of ‘the rich mix of melancholy, joy and beauty’ that is John...
Reviewed by William Yeoman in issue: 08/2022
French cellist Gautier Capuçon has established a foundation in his name with the goal of aiding young musicians early in...
Reviewed by Patrick Rucker in issue: 08/2022
Louis Lortie’s Chopin odyssey continues with the judicious ordering of groups of mazurkas interspersed with some of the stand-alone solos....
Reviewed by Jeremy Nicholas in issue: 08/2022
This is not a recording for the faint-hearted. Anyone expecting soothing, bubble-bath arpeggiations from the Prelude of the First Suite...
Reviewed by Mark Seow in issue: 08/2022
Last October I reviewed a programme of British oboe quintets played by Nicholas Daniels and the Doric Quartet featuring works...
Reviewed by Jeremy Dibble in issue: 08/2022
Ensemble Diderot do it again, and this time cello lovers can rejoice. Four cello concertos by four composers – only...
Reviewed by Mark Seow in issue: 08/2022
While ‘spectral minimalism’ may not accurately capture Éric Tanguy’s music (the composer himself has stated that he does not subscribe...
Reviewed by Pwyll ap Siôn in issue: 08/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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