Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I absolutely adored this performance. No equivocation. Hearing the music as Mahler might have heard it – and indeed imagined...
Reviewed by Edward Seckerson in issue: 09/2022
It was only six years ago that Chicago-based Third Coast Percussion became the first percussion group to win a Grammy...
Reviewed by Laurence Vittes in issue: 08/2022
The pandemic has been hard on everyone, including musicians thwarted in pursuing their art. For singers in general and vocal...
Reviewed by Donald Rosenberg in issue: 08/2022
When Science Officer Spock of the starship USS Enterprise compiles his playlist in the 23rd century, Yolanda Kondonassis’s recital of...
Reviewed by Laurence Vittes in issue: 08/2022
For the second Berkshire Festival Competition in 1919, Elizabeth Sprague Coolidge offered $1000 to the best new work for viola...
Reviewed by Andrew Farach-Colton in issue: 08/2022
As I noted with her previous Acis release, ‘Are Women People?’ (10/21), Lori Laitman’s works are often emotional in expression...
Reviewed by Guy Rickards in issue: 08/2022
The young British-Italian tenor Freddie De Tommaso caused something of a stir last year with his debut album ‘Passione’ (7/21),...
Reviewed by Tim Ashley in issue: 08/2022
Samuel Mariño is a true male soprano: his chest voice goes all the way up (and up and up –...
Reviewed by Alexandra Coghlan in issue: 08/2022
Neither conductor Barenboim (with several decades’ performances) nor stage director Tcherniakov (two previous productions) are beginners with this piece, and...
Reviewed by Mike Ashman in issue: 08/2022
Luchino Visconti’s 1958 production of Verdi’s Don Carlo for Covent Garden was a talismanic event in the Royal Opera’s history....
Reviewed by Neil Fisher in issue: 08/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.