Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The prospect of a CD bringing together two of today’s major singers is an enticing one. Much of this recording...
Reviewed by Adrian Edwards in issue: 5/2003
The musical merits of this production of Die Soldaten have been set forth in these pages before in the review...
Reviewed in issue 8/2002
My Ladye Nevells Booke is a beautifully copied collection of keyboard works from 1591, and if that did not already...
Reviewed by Lindsay Kemp in issue: 6/2009
Many will remember the powerful impact made by the London Adventist Chorale, directed by Ken Burton, at the Proms last...
Reviewed by Peter Dickinson in issue: 9/1997
Volume 2 of the AAM's integral set contains the symphonies written during four sojourns in Salzburg between 1766-72, when Mozart...
Reviewed by John Duarte in issue: 3/1987
Rimsky-Korsakov was an inveterate reviser of his own work, and the 'final' versions of both these scores (and of the...
Reviewed in issue 11/1994
Certainly no complaints about the orchestral playing on this immensely enjoyable Grainger programme. Fennell coaxes some typically beefy, big-hearted sounds...
Reviewed by Andrew Achenbach in issue: 11/1993
One of the products of Glyndebourne Festival Opera's banishment from their Sussex home last year was a Royal Festival Hall...
Reviewed by Andrew Lamb in issue: 9/1994
French—or Frenchified, in the case of Telemann's Paris Quartet—music of the second quarter of the eighteenth century often (as in...
Reviewed in issue 6/1988
Forest of the Amazon had – even more than usual with Villa-Lobos – a confusing genesis; and though a recording...
Reviewed by Lionel Salter in issue: 5/1996
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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