Steal Away: Spirituals and Gospel Songs
View record and artist detailsRecord and Artist Details
Composer or Director: Traditional, Will James, Nathaniel Dett
Genre:
Vocal
Label: Début
Magazine Review Date: 9/1997
Media Format: CD or Download
Media Runtime: 54
Mastering:
Stereo
DDD
Catalogue Number: 569707-2

Tracks:
Composition | Artist Credit |
---|---|
Oh, what a beautiful city |
Traditional, Composer
Julius Drake, Piano Ruby Philogene, Mezzo soprano Traditional, Composer |
Sometimes I feel like a motherless chile |
Traditional, Composer
Julius Drake, Piano Ruby Philogene, Mezzo soprano Traditional, Composer |
True religion |
Traditional, Composer
Ken Burton, Conductor London Adventist Chorale Traditional, Composer |
I wanna be ready |
Traditional, Composer
Ken Burton, Conductor London Adventist Chorale Ruby Philogene, Mezzo soprano Traditional, Composer |
Nobody knows de trouble I've seen |
Traditional, Composer
Julius Drake, Piano Ruby Philogene, Mezzo soprano Traditional, Composer |
Walk with me |
Traditional, Composer
Ken Burton, Piano Ladies' Quartet Traditional, Composer |
I couldn't hear nobody pray |
Traditional, Composer
Julius Drake, Piano Ken Burton, Conductor London Adventist Chorale Ruby Philogene, Mezzo soprano Traditional, Composer |
Let my people go |
Traditional, Composer
Ken Burton, Conductor London Adventist Chorale Ruby Philogene, Mezzo soprano Traditional, Composer |
Steal away to Jesus |
Traditional, Composer
Julius Drake, Piano London Adventist Chorale Ruby Philogene, Mezzo soprano Traditional, Composer |
'Tis me, O Lord |
Traditional, Composer
Julius Drake, Piano Ruby Philogene, Mezzo soprano Traditional, Composer |
By and by |
Traditional, Composer
Ken Burton, Conductor London Adventist Chorale Ruby Philogene, Mezzo soprano Traditional, Composer |
Gospel train |
Traditional, Composer
Julius Drake, Piano Ruby Philogene, Mezzo soprano Traditional, Composer |
Good News |
Traditional, Composer
Ken Burton, Piano Ladies' Quartet Traditional, Composer |
Ride on, King Jesus |
Traditional, Composer
Ken Burton, Conductor London Adventist Chorale Ruby Philogene, Mezzo soprano Traditional, Composer |
Honor, Honor |
Traditional, Composer
Ken Burton, Conductor London Adventist Chorale Ruby Philogene, Mezzo soprano Traditional, Composer |
Dark water |
Will James, Composer
Ken Burton, Conductor London Adventist Chorale Will James, Composer |
Listen to the lambs |
Nathaniel Dett, Composer
Ken Burton, Conductor London Adventist Chorale Nathaniel Dett, Composer Paul Weekes, Tenor |
Author: Peter Dickinson
Many will remember the powerful impact made by the London Adventist Chorale, directed by Ken Burton, at the Proms last year and before that their popular CD on Paradisum. The members of the choir are taken from Seventh Day Adventist churches around London. These are actual church choirs and they believe in what they are singing: this message really comes across.
When covering the first volume of the Plymouth Music series called “Witness” (Collins Classics, 9/95), I mentioned the high quality of arrangements of spirituals made by the African-American singer-composer-arranger Harry T. Burleigh, so I was delighted to find seven of his piano settings here. Ruby Philogene, already on CD in Britten’sA Midsummer Night’s Dream (Philips, 12/96), is a real discovery. She has exactly the right emotional quality to suit all the moods of these eloquent songs and dares to take Nobody knows and Steal away very slowly indeed. Sometimes she embellishes Burleigh’s line, always in style, and Burton brings the chorus unobtrusively into the refrains of Steal away with magical effect. (Philogene’s opening consonant at 0'20'' seems to have got lost in an edit.)
There are other period arrangements by Hall Johnson and Nathaniel Dett, not quite on the level of Burleigh’s, whose settings are worth a whole CD on their own – Philogene would be ideal. Then there are Burton’s own arrangements to show that the London Adventist Chorale is part of a continuing tradition in spirituals and gospel. The Ladies Quartet has some fine voices and, with Burton fulsome at the piano, a swinging sense of rhythm.
Well recorded here, although the piano is sometimes favoured in balance, this is the ideal group for this repertoire. It is an enterprising choice for the EMI Debut series and, outstanding in every way, deserves to reach and touch a very large audience. It could and should become a cult CD, like “Canto Gregoriano” or Gorecki’s Third Symphony.'
When covering the first volume of the Plymouth Music series called “Witness” (Collins Classics, 9/95), I mentioned the high quality of arrangements of spirituals made by the African-American singer-composer-arranger Harry T. Burleigh, so I was delighted to find seven of his piano settings here. Ruby Philogene, already on CD in Britten’s
There are other period arrangements by Hall Johnson and Nathaniel Dett, not quite on the level of Burleigh’s, whose settings are worth a whole CD on their own – Philogene would be ideal. Then there are Burton’s own arrangements to show that the London Adventist Chorale is part of a continuing tradition in spirituals and gospel. The Ladies Quartet has some fine voices and, with Burton fulsome at the piano, a swinging sense of rhythm.
Well recorded here, although the piano is sometimes favoured in balance, this is the ideal group for this repertoire. It is an enterprising choice for the EMI Debut series and, outstanding in every way, deserves to reach and touch a very large audience. It could and should become a cult CD, like “Canto Gregoriano” or Gorecki’s Third Symphony.'
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