Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Rinaldo Alessandrini’s 1997 recording of Vivaldi’s most famous Gloria, RV589 (6/98) was wildly acclaimed in some quarters but the wisdom...
Reviewed by David Vickers in issue: 2/2010
The first performance of Duruflé’s Requiem, in Paris just after the Second World War, no doubt owed some of its...
Reviewed by rnichols in issue: 8/2005
When Günter Wand died last year at the age of 90, after little more than a decade in the musical...
Reviewed by Richard Osborne in issue: 5/2003
Sir Colin Davis has become one of our leading Elgarians, his LSO recordings of the two symphonies generally admired. Now...
Reviewed by Alan Blyth in issue: 10/2006
While it is no longer necessary to introduce Zemlinsky as Schoenberg’s brother-in-law and musical mentor, rather than as a composer...
Reviewed by Arnold Whittall in issue: 10/1997
I found Ryo Terakado's recent recording of Leclair sonatas (11/94) musicainly but marred by suspect intonation. This disc of Handel...
Reviewed by Lindsay Kemp in issue: 12/1994
As he makes his first entry after the opening chords of the Schumann, one is immediately drawn into the exciting...
Reviewed by DuncanDruce in issue: 4/2004
Massenet finished his Piano Concerto in 1902, when he was 60, so officially in his list of compositions, it comes...
Reviewed by Patrick O'Connor in issue: 7/1997
On the memorial stone to Robert Fuchs, reproduced in the booklet to this record, his friends and pupils speak of...
Reviewed by John Warrack in issue: 4/1993
It’s too bad: here I am, glad to see once more available a valued recital disc, and yet almost first...
Reviewed by John Steane in issue: 10/2003
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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