Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This is another issue in Philips's Complete Mozart Edition, with 12 discs averaging 63 minutes and offering a comprehensive survey...
Reviewed by Christopher Headington in issue: 5/1991
Michael Oliver neatly gauged Halka's stature in his review of Le Chant du Monde's pioneering audio recording (8/88 - nla)....
Reviewed by Guy Rickards in issue: 3/2007
The final two volumes of this ambitious series follow the pattern of the first four with a large cast of...
Reviewed by Peter Dickinson in issue: 4/2009
The Fairy Queen, Purcell's third semi-opera was given for the first time at the Queen's Theatre Dorset Gardens, in the...
Reviewed by Iain Fenlon in issue: 1/1990
The story is well known about Simrock, Dvorak's publisher, realizing quickly that the first set of Slavonic Dances were such...
Reviewed in issue 3/1987
Readers with a pronounced bias towards Telemann's music will be delighted by the appearance of this rarity: Oratorium der Kapitansmusik...
Reviewed by Nicholas Anderson in issue: 6/1994
‘There’s one piece by Philip Glass that I really like.’‘Which one?’‘Any one.’Old joke. Awfully droll, eh? And, for a reviewer,...
Reviewed by bwitherden in issue: 12/2004
Tchaikovsky thought kindly of Ippolitov-Ivanov personally, but had reservations about his talent as a composer. Perhaps he detected too much...
Reviewed by John Warrack in issue: 11/1998
The first performance in Munster Cathedral in 1966 of Penderecki's Passio et mors Domini nostri Jesu Christi secundum Lucam brought...
Reviewed by Michael Stewart in issue: 3/1991
Jeffrey Khaner’s first recital for Avie, of American flute music, was well received, by me among others (6/02); this one...
Reviewed by Michael Oliver in issue: 2/2003
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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