Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The piano trio that is Ensemble Contraste has come up with several resourceful miscellanies over the years and none more...
Reviewed by Richard Whitehouse in issue: 09/2022
A new generation of outstanding continental trumpet players is making its mark, not least in the refreshingly fluid way in...
Reviewed by Jonathan Freeman-Attwood in issue: 09/2022
I understand the concept for the album. Sebastian Bohren wishes to pay homage to violinists of the late 19th and...
Reviewed by Mark Seow in issue: 09/2022
All but three of the dozen items for solo instruments and string orchestra that make up this diverting programme from...
Reviewed by Andrew Achenbach in issue: 09/2022
John-Henry Crawford won First Prize in the 2019 Carlos Prieto Competition, held in Morelia, Mexico – an experience that Crawford...
Reviewed by Andrew Farach-Colton in issue: 09/2022
JS Bach’s six sonatas for violin and harpsichord are not as prolifically recorded as his Solo Sonatas and Partitas. Not...
Reviewed by Charlotte Gardner in issue: 09/2022
There are two kinds of people: those who have never heard of Sergey Taneyev and those who can’t get enough...
Reviewed by Marina Frolova-Walker in issue: 09/2022
Great music, boring cello parts was the traditional verdict on Haydn’s keyboard trios. If you got to know these glorious...
Reviewed by Richard Wigmore in issue: 09/2022
Debussy’s music has proved particularly attractive to arrangers, perhaps unsurprisingly since so many of his orchestral works were collective collaborations...
Reviewed by Guy Rickards in issue: 09/2022
According to Isabelle Rouard’s booklet note, Ignaz Moscheles described Chopin’s Cello Sonata as like ‘a wild overgrown forest, into which...
Reviewed by Andrew Farach-Colton in issue: 09/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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