Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The last couple of years have offered us some superb new song-cycles on disc – listen to Ruby Hughes singing...
Reviewed by Hugo Shirley in issue: 09/2022
Writing nearly 70 years ago, Gustave Reese described Jean Mouton (before 1459-1522) as ‘the most gifted of Josquin’s emulators’, and...
Reviewed by Edward Breen in issue: 09/2022
Massenet wrote over 300 songs during the course of his career, mostly with piano accompaniment, though he also orchestrated nearly...
Reviewed by Tim Ashley in issue: 09/2022
Disregarded by posterity as merely Bach’s immediate predecessor in Leipzig, Johann Kuhnau (1660-1722) was appointed organist at the Thomaskirche in...
Reviewed by David Vickers in issue: 09/2022
Alessandro Grandi – pushed into a distant second place (and quite possibly out of St Mark’s in Venice altogether) by...
Reviewed by Alexandra Coghlan in issue: 09/2022
Listening to Malcolm Martineau’s album of Duparc’s songs, I was reminded not only how extraordinary they are, but also just...
Reviewed by Tim Ashley in issue: 09/2022
The appointment of Peter Whelan as music director in 2018 has propelled the Irish Baroque Orchestra into an exhilarating new...
Reviewed by Alexandra Coghlan in issue: 09/2022
There are, I think, two possible approaches to this recording. One is simply to listen through it and let the...
Reviewed by Ivan Moody in issue: 09/2022
Richard Blackford definitely has the knack of writing audience-friendly works with singable lines appealing to amateur and professional performers alike....
Reviewed by Guy Rickards in issue: 09/2022
This splendid album provides a showcase for the talents of 21 singers aged between 18 and 28 brought together for...
Reviewed by Malcolm Riley in issue: 09/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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