Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Marches dominate the fifth volume of Goldstone and Clemmow's piano duet survey - the irrepressible Marches caracteristiques set down with...
Reviewed by mquinn in issue: 2/2000
Netherlands-born cellist, Pieter Wispelwey, is equally at home on baroque and modern instruments. His recent disc of Vivaldi cello concertos...
Reviewed by Nicholas Anderson in issue: 11/1998
Any number of the world’s opera houses would have given their eye teeth for the privilege of presenting the premiere...
Reviewed by Michael Oliver in issue: 8/1996
I am not, you may have noticed, Korngold's greatest fan, but the aria (eventually becoming a duet) ''Gluck, das mir...
Reviewed by Michael Oliver in issue: 11/1989
Ernst Toch’s short symphonic career was framed by serious illness: his First appeared after he had suffered a severe heart...
Reviewed in issue 12/1997
These are comparative versions chiefly for Liadov's most popular works. In common between the two records are Baba-Yaga, The enchanted...
Reviewed by John Warrack in issue: 9/1989
Yet another outstanding coupling of late Haydn symphonies given extremely good sound. Only in January was I greatly enjoying Solti's...
Reviewed by Ivan March in issue: 3/1987
“Why do some innovators find fault with the past? Can you imagine a saint who would find fault with all...
Reviewed in issue 12/1996
Our first Editor and great creator used to say that the Anglican chant was the only thing that English singers...
Reviewed in issue 10/1991
Both symphonies on this second volume in Hogwood’s Gade cycle are fine examples of the Dane’s mastery of Classical balance‚...
Reviewed in issue 1/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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