Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Leif Ove Andsnes may have vowed not to touch Grieg’s Piano Concerto again for many years, but he shows he...
Reviewed by hfinch in issue: 6/1998
If the conductor has chosen to include the supplementary ''Pas de deux'' and ''Russian Dance in Act 3 (some 13...
Reviewed by John Steane in issue: 1/1995
With recordings of Saint-Saëns, Debussy, Ravel, Poulenc and Satie (though less of Fauré) behind him, Pascal Rogé confirms his love...
Reviewed by Bryce Morrison in issue: 4/2007
Jacob van Eyck was the director of all the bells and clock-chimes in Utrecht, and carilloneur of its cathedral. If...
Reviewed by John Duarte in issue: 12/1996
Had these two discs been issued a little sooner they would have made nice presents for Rodrigo’s 95th birthday (which...
Reviewed by John Duarte in issue: 4/1998
This excellent disc follows up the earlier Hyperion issue from these same performers of Jeno Hubay’s other two violin concertos,...
Reviewed by Edward Greenfield in issue: 4/2006
These performances, which took place within two years of each other in wartime Germany, rank high in the work’s...
Reviewed in issue 6/1996
Beethoven wrote only five sonatas for cello and piano as against ten for violin. But growing from a wider span...
Reviewed by Joan Chissell in issue: 13/1997
Some readers will fondly recall Trevor Barnard’s fine 1962 recording of the Bliss Concerto with Sargent and the Philharmonia (HMV,...
Reviewed by Andrew Achenbach in issue: 4/1998
Audite is in the process of assembling a complete Mahler cycle with Kubelík and the Bavarian RSO from radio relays....
Reviewed in issue 9/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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