Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Poulenc had a low of opinion of his piano music in general, complaining it was too dependent on the textures...
Reviewed by rnichols in issue: 6/2004
Here is a marvellous little opera, superbly researched, most winningly performed and handsomely produced in a 1984 studio recording by...
Reviewed in issue 5/1990
Graham Johnson has explained, in his interview with Hilary Finch on page 532, the aims and purpose of his enormously...
Reviewed by Alan Blyth in issue: 10/1988
This attractive recital presents several sides of Hummel's creative personality, from the classical sonata to the fanciful early romantic character...
Reviewed by Stanley Sadie in issue: 6/2000
A probing intelligence informs every bar of Paul Daniel’s Elgar collection. Ally this gifted conductor’s inquisitive ear to an opulent...
Reviewed by Andrew Achenbach in issue: 3/1999
A 30-year-old film that can still command a television audience on Christmas Eve 1996 of 2.8 million viewers “can’t be...
Reviewed by Adrian Edwards in issue: 13/1997
Mozart always wrote gratefully for woodwind instruments, including the flute which he disliked, and in any case I feel pretty...
Reviewed by Christopher Headington in issue: 12/1991
Not since Nigel Kennedy’s 1997 remake with Sir Simon Rattle and the CBSO (EMI, 1/98) have I heard an account...
Reviewed by Andrew Achenbach in issue: 1/2008
As Christa Ludwig spends the autumn taking her farewells of the concert platforms of Europe, and the record companies continue...
Reviewed by hfinch in issue: 7/1994
Restricted in her platform activity by an ever growing family, Clara Schumann found increasing solace in music-making at home with...
Reviewed by Joan Chissell in issue: 11/1995
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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