Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Zemlinsky’s admirers, who not long ago scanned the catalogues in vain for recordings of his major works, are now spoiled...
Reviewed by Michael Oliver in issue: 11/1997
Hard on the heels of Channel Classics' outstanding Klein and Ullmann coupling (CCS1691, 12/91) comes this rival two-disc compilation devoted...
Reviewed in issue 8/1992
They don’t come stranger than this. Anyone who knows Cecile Licad’s early CBS recording of, say, Saint-Saens’s Second Concerto (1/85...
Reviewed by Bryce Morrison in issue: 9/1998
Dorian has gone to town on the presentation and packaging of this issue, the problem being that this is the...
Reviewed by David Gutman in issue: 4/2004
Hardy drew the very best from Gerald Finzi, to such an extent that one sometimes feels the reverse to be...
Reviewed by Michael Oliver in issue: 1/1986
Things are seldom what they seem,’ Little Buttercup remarks in HMS Pinafore, and this disc is certainly sailing under some...
Reviewed by Richard Lawrence in issue: 8/2004
The only other available recording of Alan Rawsthorne's extremely fine Third (and last) Quartet is in a collection of all...
Reviewed by Michael Oliver in issue: 6/2000
We are perhaps coming to the point where some of the artists on Naxos Jazz are so obscure they’ve never...
Reviewed by rthomas in issue: 7/1999
Here is Vivaldi-playing with a commendably light, athletic touch. It is so easy to make a meal out of his...
Reviewed by Nicholas Anderson in issue: 9/1997
These separately available volumes containing six each of Vivaldi’s Op 8 (of which Nos 1-4 are of course The Four...
Reviewed by Lindsay Kemp in issue: 2/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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