Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
David Zinman has nurtured his Baltimore orchestra into a splendidly balanced ensemble. The strings have a rich veneer and produce...
Reviewed by Ivan March in issue: 12/1995
Libby Larsen, a pupil of Dominick Argento, is a familiar figure on the American musical scene, less so over here....
Reviewed by David Gutman in issue: 12/2000
This Franco-Finnish programme works well. Kiviniemi (b.1958) is a persuasive player though he favours heavy (and, at times, muddled) registrations....
Reviewed by Malcolm Riley in issue: 2/1999
Two more re-Creations: one which is something of a red herring in Haydn's great deep, and one which has been...
Reviewed by hfinch in issue: 3/1991
Once neglected on record, the Dvorak Violin Concerto is now well represented in the CD catalogue, and though neither of...
Reviewed by Edward Greenfield in issue: 7/1991
As far as I am aware Ashkenazy has never recorded any of the works in this collection. So here he...
Reviewed by Bryce Morrison in issue: 7/1996
An outstanding reissue from Marriner's vintage period with the Academy, made soon after he had moved from Argo to Philips....
Reviewed by Ivan March in issue: 7/1985
Enrique Batiz's account of the Fifth is good value and, for the Shostakovich enthusiast, almost indispensable for the sake of...
Reviewed by Michael Oliver in issue: 9/1990
I wonder what the seventeenth-century Portuguese composer Manuel Cardoso(1566-1650), for most of his life a monk at a Carmelite monastery...
Reviewed in issue 5/1997
The English title of Kálmán’s most celebrated operetta is a misnomer. The heroine is a princess not of gypsies but...
Reviewed by Andrew Lamb in issue: 3/2005
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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