Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Dvorak’s Slavonic Dances are among the most endearing works in the repertoire. In the 1870s they took London – a...
Reviewed by Bryce Morrison in issue: 7/2000
The sheer technical finish of the Alban Berg's playing can be taken for granted. But, unlike in their recording of...
Reviewed by Richard Wigmore in issue: 2/2000
This summer Edward Gregson retires, after 12 years as Principal of the Royal Northern College of Music, to concentrate on...
Reviewed by Ivan March in issue: 9/2008
Reaching Vol 4 in their survey of Debussy’s orchestral works, the Lyon National Orchestra and Jun Märkl focus on two...
Reviewed by Geoffrey Norris in issue: 11/2010
It is only two years since Anne Sofie von Otter included Berg’s Seven Early Songs on a recital disc that...
Reviewed in issue 7/1996
Let’s begin at the very end, so to speak. On the evening of December 23rd, 1975, a weary Bernard Herrmann...
Reviewed in issue 9/1998
Here are exemplary performances of four fine British clarinet concertos‚ each of which is notable for its strongly communicative spirit‚...
Reviewed in issue 1/2002
A well-planned programme, with Prokofiev’s heavyweight First Sonata placed as its substantial centrepiece. Indeed, it is there most of all...
Reviewed in issue 1/1996
Admired by the young Mozart, Josef Myslivecek (1737-81) - dubbed “Il Boemo” (“The Bohemian”) by the Italians, unable to pronounce...
Reviewed by Richard Wigmore in issue: 3/2007
Although Bernard Herrmann's name is indelibly linked to Alfred Hitchcock, he made an impressive showing with producer Darryl Zanuck at...
Reviewed by Adrian Edwards in issue: 6/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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