Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Compounded of recordings made at various times between 1986 and 1989, this disc perfectly complements the one reviewed above: here...
Reviewed by Joan Chissell in issue: 11/1989
Here is a welcome follow-up to Barcelona 216’s earlier Stradivarius disc of chamber works by Roberto Gerhard (1/98). While the...
Reviewed by Arnold Whittall in issue: 9/2003
We needed a good version of the Schumann work, since Marriner's performance on Capriccio/Target is somewhat featureless and lacking in...
Reviewed in issue 3/1989
When I was learning my ‘late’ Beethoven back in the mid-late 1960s, the Amadeus Quartet provided the stereo benchmark, with...
Reviewed in issue 8/2001
Four excellent modern recordings of this work in the catalogue could seem an embarras de richesses, but the fact is...
Reviewed in issue 2/1997
This is something of a find – a production produced in Milan’s television studios in 1973 that does more than...
Reviewed by Alan Blyth in issue: 4/2003
Indefatigable even in his 60s, Fischer-Dieskau here adds new items to his vast discography in a field where he has...
Reviewed by Alan Blyth in issue: 9/1988
Only 60 years lie between the birth of Mattia Battistini and that of Giuseppe Taddei, and only 45 between the...
Reviewed in issue 4/1996
Not many versions of the Symphonie fantastique rival Myung-Whun Chung’s in conveying the nervously impulsive inspiration of a young composer,...
Reviewed by Edward Greenfield in issue: 4/1996
It’s good that Hindemith’s magnificent Quartet for clarinet, violin, cello and piano (1958) has come off the “unaccountably neglected” shelf...
Reviewed in issue 2/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.