Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
At the Paris Opéra in 1835, La Juive was regarded as a work which ‘required the most sumptuous and detailed...
Reviewed by John Steane in issue: 2/2005
Léon Goossens was the most admired woodwind player of the last century, and a highly prolific recording artist from the...
Reviewed by John Warrack in issue: 3/2003
When planning this record, I wonder what streak of perversity prompted Richard Stoltzman to include only one work originally designed...
Reviewed by Joan Chissell in issue: 9/1989
Surprisingly, this well-filled disc begins not with one of the sonatas but with the Adagio and Allegro in F minor,...
Reviewed by Christopher Headington in issue: 9/1992
In Cambridge, the colleges of St John and Trinity are next-door neighbours. Whether somebody has had his ear to the...
Reviewed by John Steane in issue: 6/2006
There are two halves to this recital, one English, the other Italian. The spots for solo lute break it up...
Reviewed by Fabrice Fitch in issue: 9/2010
Great recordings of the Chopin concertos are hardly thin on the ground. Rubinstein, Perahia, Argerich, Zimerman, Pires and Mewton-Wood are...
Reviewed by Bryce Morrison in issue: 8/2005
Though Ivo Pogorelich has been represented in the catalogue for some years now, his recorded repertory remains small and I...
Reviewed by Christopher Headington in issue: 1/1993
During the pioneering post-war era at Bayreuth the conducting of the Ring was shared among the Ks – Karajan, Krauss,...
Reviewed by Alan Blyth in issue: 2/2006
Six discs for a Beethoven symphony cycle seems about the norm these days. What makes the Chandos set unusual is...
Reviewed by Stephen Johnson in issue: 5/1989
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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