Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Jordi Savall and his much acclaimed (if somewhat transient) ensemble, Hesperion XX, provide us here with an attractive performance of...
Reviewed in issue 11/1989
Georg Joseph Vogler (1749-1814) has suffered the kind of bad press that few recover from. “A dreary musical jester… a...
Reviewed by Lindsay Kemp in issue: 9/2009
Having sometimes found Pierre de la Rue a tough nut to crack on the basis of the current discography, I...
Reviewed by Fabrice Fitch in issue: 13/1999
This, the third version of Strauss’s opera on CD conducted by Karajan, was recorded at the opening of Salzburg’s Grosses...
Reviewed by Alan Blyth in issue: 9/1999
How curious that a contemporary clarinet concerto should receive two recordings in such quick succession. Does John Corigliano's 30-minute work...
Reviewed in issue 4/1989
The first of the announced ‘solo concertos’ is BWV1060, ‘for 2 harpsichord [sic]’ but, as Lionel Salter found with the...
Reviewed by John Duarte in issue: 1/2001
Linda Finnie is still an artist underrated in her own land. Feted at Bayreuth as Fricka in the current Ring,...
Reviewed by Alan Blyth in issue: 9/1991
In an ingenious fashion, the tight-knit French Baroque ensemble La Rêveuse presents a programme celebrating a period of almost peerless...
Reviewed by Jonathan Freeman-Attwood in issue: 6/2007
Many years ago when I was a schoolboy, my then piano teacher Ronald Smith returned from his studies in Paris...
Reviewed by Bryce Morrison in issue: 2/2009
The London Conchord Ensemble have so far made their name as recording artists mainly with discs of 20th-century chamber music,...
Reviewed by Lindsay Kemp in issue: 1/2007
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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