Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It is good to have chamber music on CD, particularly in performances so stylish and alive as these, but the...
Reviewed by Edward Greenfield in issue: 4/1985
Martha Argerich’s first commercially released recordings of the Chopin concertos were for DG; No. 1 with the London Symphony Orchestra...
Reviewed by Bryce Morrison in issue: 4/1999
Given that they’re so infrequently performed in concert, Dvorák’s string quartets have done rather well on the recording front. These...
Reviewed by Rob Cowan in issue: 13/2010
Schubert’s church music is heard less often than it deserves, surprisingly so given it contains some of his finest music....
Reviewed by mquinn in issue: 1/1999
For many years now we’ve enjoyed a steady stream of recordings in which David Russell has raised mere aptness to...
Reviewed by William Yeoman in issue: 5/2005
Donna McKevitt once toured briefly with Katharine Blake’s Mediaeval Baebes, but also worked with Blake’s earlier group, Miranda Sex Garden,...
Reviewed by bwitherden in issue: 9/2004
Here, so to speak, are the first gramophone obsequies for Sir Peter Pears, although presumably they were planned before the...
Reviewed in issue 8/1986
If a resistant strain of British pastoralism has to exist, better it cross-fertilises with expressive microtonal slides and gives a...
Reviewed by Philip_Clark in issue: 11/2007
These recordings were made last year after a series of concerts commemorating the 50th anniversary of Weigl’s death. The protagonists...
Reviewed by David Gutman in issue: 8/2000
The Teldec insert-note claims that Shostakovich's Eighth Symphony ''failed to keep its place in the repertoire of the West, because...
Reviewed in issue 10/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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