Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Even allowing for the fact that these were demonstration records when they first appeared, the sound on this CD is...
Reviewed by Alan Blyth in issue: 10/1986
Jansons here rounds off his outstanding Oslo series of Tchaikovsky's numbered symphonies for Chandos (Manfred still to come), while Lorin...
Reviewed by Edward Greenfield in issue: 11/1987
Julia Varady is truly a phenomenon of her time. Recording here in her 59th year a most taxing programme of...
Reviewed in issue 2/2002
Mozart's last four quartets arouse much less admiration than the six he had written a little earlier for Haydn, but...
Reviewed in issue 2/1987
This is an outright winner, easily the most enjoyable offering so far from a singer in EMI’s Debut series and...
Reviewed by Alan Blyth in issue: 5/1999
The 1952 account of Offenbach’s high fantasy-cum-satire (on the Third Empire) has always been considered a classic, anda benchmark by...
Reviewed by Alan Blyth in issue: 9/2003
Perhaps it’s the mountain air. Or maybe the spectacular scenery. Or the haute cuisine. Or the chance to catch up...
Reviewed by Jeremy Nicholas in issue: 13/2008
Barenboim here completes his recordings of Wagner’s mature operas with a traversal of the storm-tossed score that, as far as...
Reviewed by Alan Blyth in issue: 11/2002
Billed as The Lindsays’ final recording, this Haydn disc completes their traversal of all the composer’s quartets from the Op...
Reviewed by DuncanDruce in issue: 7/2006
The spine of this new disc boldly but misleadingly proclaims “Hindemith: Violin Works”, since only two (albeit the biggest) of...
Reviewed in issue 3/1996
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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