Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
As a complement to their reissue of the Nash/Beecham Faust (5/94), Dutton Laboratories released this CD devoted to the tenor...
Reviewed by Alan Blyth in issue: 2/1995
When I reviewed the original LP release of these performances of Vivaldi's two settings of the Gloria I remarked on...
Reviewed by Nicholas Anderson in issue: 8/1983
Here is Richter ‘from the archives’ in 1950, aged 35, offering invaluable evidence of his early astounding range and mastery,...
Reviewed by Bryce Morrison in issue: 9/2003
I could write at length on the historic nature of Stravinsky’s return to the land of his birth but the...
Reviewed in issue 2/1997
Le jongleur de Notre Dame is a Maxwell Davies equivalent of one of Britten’s church parables, with the difference that...
Reviewed by Michael Oliver in issue: 2/1998
After his recent recordings of Debussy and Stravinsky in Cleveland (DG, 8/92), Pierre Boulez has moved on to Chicago for...
Reviewed by Arnold Whittall in issue: 4/1993
If there are some in addition to myself to whom the choir of Edinburgh’s Episcopal Cathedral are introducing themselves in...
Reviewed in issue 10/1997
Alina Ibragimova’s previous recordings for Hyperion have been of 20th-century music – impressive accounts of Szymanowski, Roslavets and Hartmann. Her...
Reviewed by DuncanDruce in issue: 11/2009
The haunting cover image of a gypsy child peering from the back of a rickety horse-drawn cart is significant. The...
Reviewed by Rob Cowan in issue: 12/2005
There is something of the library recording about this, each movement set down in its place very professionally and undemonstrably,...
Reviewed by Jonathan Freeman-Attwood in issue: 5/2005
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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