Vivaldia Gloria, RV588; Gloria, RV589
View record and artist detailsRecord and Artist Details
Composer or Director: Antonio Vivaldi
Label: Argo
Magazine Review Date: 8/1983
Media Format: CD or Download
Media Runtime: 58
Mastering:
DDD
Catalogue Number: 410 018-2ZH
Tracks:
Composition | Artist Credit |
---|---|
Gloria |
Antonio Vivaldi, Composer
Anne Wilkens, Mezzo soprano Antonio Vivaldi, Composer George Guest, Conductor Kenneth Bowen, Tenor Lynda Russell, Soprano Patrizia Kwella, Soprano St John's College Choir, Cambridge Wren Orchestra |
Composer or Director: Antonio Vivaldi
Label: Argo
Magazine Review Date: 8/1983
Media Format: Cassette
Media Runtime: 0
Mastering:
DDD
Catalogue Number: KZRDC1006
Tracks:
Composition | Artist Credit |
---|---|
Gloria |
Antonio Vivaldi, Composer
Anne Wilkens, Mezzo soprano Antonio Vivaldi, Composer George Guest, Conductor Kenneth Bowen, Tenor Lynda Russell, Soprano Patrizia Kwella, Soprano St John's College Choir, Cambridge Wren Orchestra |
Author: Nicholas Anderson
The Choir of St John's College is on fine form and though occasionally it tends to sing under the note, the timbre of the boys' voices and an overall alertness very much compensate for that. The soloists vary a little in their natural aptitude for this repertoire, perhaps; Lynda Russell and Patrizia Kwella make a fine pair of sopranos, though as I commented before, it would have been a good idea to have shared out the solo material more fairly. As it is Lynda Russell has the lioness's share! Anne Wilkens manages her solos well but I find the quality a little too plummy for this music. Kenneth Bowen sounds well in his only solo aria, a fine one in RV588 which opens in a strikingly similar manner to the first aria in Vivaldi's serenata La ninfa e il pastore. Incidentally, Guest follows the Malipiero edition for RV589, the much better known of the two Glorias, which gives the obbligato of the ravishing soprano ''Domine Deus'' aria to a violin rather than to an oboe. A pity, for it is a beautifully-written melody for an oboe.
Whilst my enjoyment of Guest's performance increases I still feel that it is RV588 which comes off best. There are some instances of phrasing in RV89 which do not seem quite to achieve what is needed. The Wren Orchestra provides polished and lively support throughout, and there is some splendid obbligato playing too. In short I am more enthusiastic than I was and warmly recommend this issue. Good sound and no distortion. The little Introduzione (RV639), for alto with strings and continuo, which originally was intended to lead straight into the Gloria (RV588), has been omitted both from the LP and the CD, partly, I suspect, for practical reasons.
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