Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Hindemith’s Ludus tonalis (1942) is well enough known, especially given the recent plethora of recordings (5/96, 11/96, 3/97), but it...
Reviewed in issue 5/1997
That Richard Strauss wrote a ballet for Diaghilev is something that tends to be forgotten. The neglect of Josephs-Legende was...
Reviewed by Edward Greenfield in issue: 8/2000
Enrapt by an infectious and consistent conceit of gravitas, this unusual quartet of Bach concerto transcriptions presents one of the...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2006
Penderecki’s Sonata for cello and orchestra (1964) embodies his transition from the turbulent texturalism of his earliest works to the...
Reviewed by Arnold Whittall in issue: 12/2008
Wolf himself stated that the Italian Songbook is ''the most original and artistically consummate of all my works'' and he...
Reviewed by Alan Blyth in issue: 12/1990
RCA seem on a roll with their operatic recitals. Here is another outright recommendation from that stable with the greatly...
Reviewed by Alan Blyth in issue: 10/1997
Some months back Astree reissued 20 CDs as part of a ‘Jordi Savall Edition’ celebrating the amazingly diverse recorded repertoire...
Reviewed by Ivan March in issue: 12/2000
For so popular an opera Butterfly has been meanly treated on CD so far, but in every way except one...
Reviewed by Edward Greenfield in issue: 6/1987
This Zurich staging of 2000 (why is this theatre so much favoured on DVD?) is a facsimile of Jonathan Miller’s...
Reviewed in issue 13/2002
It hardly seems credible that with all the commentary that has been written about Beethoven and Toscanini's view of him,...
Reviewed by Rob Cowan in issue: 12/1999
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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