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Review of Mozart String Quartets K387 & K421

Mozart String Quartets K387 & K421

The six quartets that Mozart dedicated to Haydn are among his finest, which is saying something, and after he had...

Reviewed by Christopher Headington in issue: 9/1992

Review of Vaughan Williams String Quartets Nos. 1 & 2; Phantasy Quintet

Vaughan Williams String Quartets Nos. 1 & 2; Phantasy Quintet

Why is Vaughan Williams’s Second Quartet not part of the international chamber repertory? Played as eloquently as this it seems...

Reviewed by Michael Oliver in issue: 5/2001

Gramophone Classical Music Awards Winner
Review of Telemann Twelve Fantasias

Telemann Twelve Fantasias

Telemann's knowledge of woodwind instruments was considerable. He played most if not all of them himself and he understood their...

Reviewed by Nicholas Anderson in issue: 7/1991

Review of Schumann Work for Clarinet and Piano

Schumann Work for Clarinet and Piano

Here is a very effective and enjoyable clarinet recital of pieces that were never originally intended for the clarinet –...

Reviewed by John Warrack in issue: 5/2003

Review of Martinú Suite Concertante

Martinú Suite Concertante

It was Samuel Dushkin, the violinist for whom Stravinsky wrote his Concerto and Duo Concertant, who commissioned these two works....

Reviewed by DuncanDruce in issue: 12/2002

Review of Janácek Glagolitic Mass; Strauss, R Der Bürger als Edelmann

Janácek Glagolitic Mass; Strauss, R Der Bürger als Edelmann

Klaus Tennstedt was already seriously ill when these two performances were recorded, and already becoming something of the legend the...

Reviewed by John Warrack in issue: 8/2007

Review of Barber; Gershwin Piano Concertos

Barber; Gershwin Piano Concertos

Reviewed by kYlzrO1BaC7A in issue: 5/1993

Review of Brahms String Quintets

Brahms String Quintets

Brahms’s two string quintets fall somewhere between his earlier quartets and sextets in that their contrapuntal workings are better oiled...

Reviewed in issue 5/1996

Review of Marsh Symphonies

Marsh Symphonies

John Marsh (1752-1828) was a characteristically 18th-century English phenomenon: a self-styled “gentleman composer” and “amateur of fortune” who originally studied...

Reviewed by Richard Wigmore in issue: 4/2008

Review of Mozart Piano Concertos

Mozart Piano Concertos

“The controversial Pletnev” boasts the latest marketing material from Virgin; but no more controversial, surely, than Mozart himself when writing...

Reviewed by hfinch in issue: 6/1996


 

Hi-Fi, Books, Reissues & Archive Reviews

Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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