Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
When prizes are distributed at the Met, it often seems that the soloists get theirs and that even the chorus...
Reviewed by John Steane in issue: 12/2010
‘If an opera can have a “plot”, why not a song recital?’ asks Graham Johnson, who since Songmakers’ Almanac days...
Reviewed by Richard Wigmore in issue: 9/2006
Schubert's sublime C major Quintet is eminently well served on LP at present and its representation on CD is fast...
Reviewed by Robert Layton in issue: 9/1985
This recital continues a series begun by Alla Francesca on Opus 111, of which it is the third instalment (and...
Reviewed by Fabrice Fitch in issue: 1/2000
The coupling of the Ashkenazy/Decca CD, namely the three impromptus and the Fantaisie-Impromptu, may be somewhat more compelling than on...
Reviewed by James Methuen-Campbell in issue: 12/1987
The centrepiece of this recital is in every sense the Chaconne of Bach, not just one more authori tative recording,...
Reviewed by John Duarte in issue: 8/1988
Schiff's immaculate playing of Bach on the piano has often been praised in these columns, but I had not myself...
Reviewed in issue 5/1985
There’s definitely a new lightness in the air as far as Brahms is concerned. Not so long ago we had...
Reviewed by Harriet Smith in issue: 11/2008
While both the Third and the Fourth Symphonies were recorded in the days of 78s—No. 3 by Albert Wolff and...
Reviewed by Robert Layton in issue: 2/1987
With this disc Richard Hickox reaches the penultimate issue in his magisterial survey of the Rubbra symphonies. Only the Fifth...
Reviewed by Robert Layton in issue: 10/1998
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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