Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Giovanni Adolfo Hasse (as the Hamburger came to call himself) went to Italy at the age of about 22. In...
Reviewed by David Vickers in issue: 4/2011
With 'authentic' Vivaldi played by so many early-music groups these days, it makes an agreeable change to hear the rich...
Reviewed in issue 5/1986
Even those who have never been to Drottningholm and experienced Arnold Ostman's Mozart in the flesh will know exactly what...
Reviewed by hfinch in issue: 12/1990
The first quality of this performance that strikes one is its liveness, as revealed in the warmth of the rubato...
Reviewed by Edward Greenfield in issue: 11/2010
Hanns Eisler survived until 1962 and died an East German which makes him less of a cause celebre (and less...
Reviewed in issue 1/1997
It is encouraging that EMI are gradually transferring some of Barbirolli's finest recorded performances to CD—when may we expect Gerontius...
Reviewed in issue 12/1988
Don’t be put off by the dreadful photograph on the front! I’ve nothing against the Blue Bells of 1952, but...
Reviewed in issue 7/2001
With the deletion of Rozhdestvensky’s gritty but compelling version (Olympia, 8/88 – nla), there is space in the market for...
Reviewed in issue 6/1996
I suppose it is the 1914 War that is the unnamed, ever-felt presence here. “I float this carol with joy,...
Reviewed in issue 6/1996
This production of Forza was presented to much acclaim during the Karajan era at the Vienna State Opera. Mitropoulos, who...
Reviewed by Alan Blyth in issue: 2/2007
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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