Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Every recital disc seems to need a catchy title these days. The promise of “Love’s Sweet Surrender” may attract extra...
Reviewed in issue 13/1997
Tchaikovsky's Third Quartet is a difficult work to play, and to record. Written in memory of Ferdinand Laub, the Bohemian...
Reviewed by John Warrack in issue: 6/1993
Tippett’s choral music makes for a heterogeneous collection on disc: just the sort of programme you would never expect to...
Reviewed by Arnold Whittall in issue: 5/2007
Schutz's sacred histories are very difficult to make convincing. The reason must surely be (inspite of the sleeve-note of the...
Reviewed in issue 5/1985
Any opera company in the world would think themselves fortunate to assemble this cast for a production of Ariadne; indeed...
Reviewed in issue 13/2001
The most readily distinguishing feature of this second new Yeoman within the year is the inclusion of dialogue for the...
Reviewed by Andrew Lamb in issue: 11/1993
All three performances have appeared before but their recoupling is welcome and logical. The Rhapsody-Concerto is one of the most...
Reviewed by Robert Layton in issue: 9/1992
Just turned 51, Aaron Jay Kernis is now well established among the middle generation of American composers, though his music...
Reviewed by Richard_Whitehouse in issue: 5/2011
This is without question the most thrilling Wagner disc to appear in years. Bleeding chunks have had a bad press,...
Reviewed by Alan Blyth in issue: 8/1997
The Alexandra Palace organ seems to have been pretty well doomed from the start. When these recordings were made it...
Reviewed by Marc Rochester in issue: 9/1994
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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