Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Patricia Kopatchinskaja had some trepidation when approaching Janáček’s Violin Sonata. ‘I was afraid I’d explode, that’s how concentrated and wounded...
Reviewed by Andrew Farach-Colton in issue: 02/2023
I may be genetically conditioned to adore this repertoire, but this new album from Mahan Esfahani is an unalloyed joy...
Reviewed by Guy Rickards in issue: 02/2023
>It is well over a decade now since Plácido Domingo controversially transitioned from tenor to baritone roles, a repertory he...
Reviewed by Tim Ashley in issue: 02/2023
‘Close your eyes’ is the most tired and depressing piece of opera-going advice, but blind listening to the Deutsche Oper’s...
Reviewed by Peter Quantrill in issue: 02/2023
That Strauss could write Capriccio – his and Clemens Krauss’s Konversationsstück on and about the nature of opera and artistic...
Reviewed by Hugo Shirley in issue: 02/2023
Véronique Gens has given us surprisingly little Poulenc on record over the years, though she included Banalités and Les chemins...
Reviewed by Tim Ashley in issue: 02/2023
Who was Molieri? No, not another composer unearthed by musicologists for rediscovery but a mash-up of the names of Wolfgang...
Reviewed by Mark Pullinger in issue: 02/2023
Here’s a question for trivia fans: romantic operas set in the English Midlands? Donizetti’s Il Castello di Kenilworth, possibly, or...
Reviewed by Richard Bratby in issue: 02/2023
Cultural history written by the victors can overstate the divergence of communism and capitalism, complicity and dissent, socialist realism and...
Reviewed by David Gutman in issue: 02/2023
Fifteenth-century song recitals are rare enough for this recording to be welcomed with open arms, particularly as a few of...
Reviewed by Fabrice Fitch in issue: 02/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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