Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I’ve yet to see a staged double-bill of Bartók’s symbolist ballet The Wooden Prince and his allegorical operatic masterpiece Duke...
Reviewed by Edward Seckerson in issue: 03/2023
There are no booklet notes to speak of attached to this Bach and Pärt programme from Arabella Steinbacher. Just a...
Reviewed by Charlotte Gardner in issue: 03/2023
An intriguingly organised album from Holland Baroque. The ensemble have made a name for themselves with their cross-cultural ‘encounters’, including...
Reviewed by Mark Seow in issue: 03/2023
The past few years have seen a regular flow of releases of Grażyna Bacewicz’s music, and recordings of many of...
Reviewed by Christian Hoskins in issue: 03/2023
When Antonio Pappano’s recording of Tristan und Isolde was released in 2005, it was touted in many pages, including these...
Reviewed by Mark Pullinger in issue: 03/2023
The Kansas City-based Bach Aria Soloists make their recording debut on Reference Recordings with a lovely album of Monteverdi, Bach,...
Reviewed by Laurence Vittes in issue: 03/2023
For what was billed as his final studio recording last year, David Starobin continued his survey of neglected composers with...
Reviewed by Donald Rosenberg in issue: 03/2023
While there are many fine recordings of Shostakovich’s and Rachmaninov’s cello sonatas, not many have them coupled together, even in...
Reviewed by Guy Rickards in issue: 03/2023
Many of Florence Price’s piano works have been recorded, not least by Kirsten Johnson (Guild, duplicating items here) and Samantha...
Reviewed by Guy Rickards in issue: 03/2023
‘States of Play’ unites ‘longtime creative friends and mutual admirers’ Robert Carl and John McDonald, both stalwarts of the New...
Reviewed by Laurence Vittes in issue: 03/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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