Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Pianist Daniel-Ben Pienaar makes no effort to sharpen the sound of his instrument or play with greater incision when rendering...
Reviewed by Philip Kennicott in issue: 02/2023
Anne Queffélec is an artist whom I’ve loved in Scarlatti, Bach and Ravel, but Beethoven? This is new territory, certainly...
Reviewed by Harriet Smith in issue: 02/2023
On their childhood travels Wolfgang and sister Nannerl dazzled aristocratic audiences with their double acts on the harpsichord. In the...
Reviewed by Richard Wigmore in issue: 02/2023
The recorded repertory of the prolific German harpsichordist and pianist Andreas Staier spans the Baroque through Brahms. His Book 2...
Reviewed by Patrick Rucker in issue: 02/2023
Daniel Pioro is currently Artist in Residence at London’s Southbank Centre, where last October I saw him give the coruscating...
Reviewed by Guy Rickards in issue: 02/2023
The past year has seen a fair number of projects that emerged as result of or were inspired by the...
Reviewed by Richard Whitehouse in issue: 02/2023
Several themes (musical and extramusical) interact and overlap on this fascinating album of solo and chamber compositions by Caroline Shaw,...
Reviewed by Pwyll ap Siôn in issue: 02/2023
Enthusiasm, affection and style were three of the attributes of the Busch Trio’s playing identified by Richard Bratby when he...
Reviewed by David Threasher in issue: 02/2023
This is not the first modern recording dedicated to ‘Elgar’s violinist’, WH (‘Billy’) Reed: Dutton issued a collection of violin-and-piano...
Reviewed by Peter Quantrill in issue: 02/2023
This trio of Russian musicians certainly have this music flowing through their veins, but is that enough in a crowded...
Reviewed by Harriet Smith in issue: 02/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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