Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s incredible to think that Mozart’s three ‘Prussian’ Quartets – his final statements in the genre, written for amateur cellist...
Reviewed by Charlotte Gardner in issue: 02/2023
What a little miracle Mozart’s Kegelstatt Trio (1786) is: just under 20 minutes of his finest music for his three...
Reviewed by David Threasher in issue: 02/2023
I adore this recording. Jean-Guihen Queyras and Alexandre Tharaud bring us the music of Marin Marais – on cello and...
Reviewed by Mark Seow in issue: 02/2023
Arthur Lourié (1891-1966) is an endlessly fascinating composer. Like Stravinsky, whose friend (and in some ways mentor) he was, his...
Reviewed by Ivan Moody in issue: 02/2023
Shostakovich aside, few post-war string quartets can have made more of an impact on record than Dutilleux’s Ainsi le nuit....
Reviewed by Richard Bratby in issue: 02/2023
‘Technological process in some cases has a fruit-like cycle’, cellist Leonard Elschenbroich writes in the booklet note, ‘and we found...
Reviewed by Andrew Farach-Colton in issue: 02/2023
Imagine uprooting the traditional New Year’s Day concert from Vienna’s Musikverein and transporting it to the Opéra-Comique in Paris. And...
Reviewed by Mark Pullinger in issue: 02/2023
Wergo’s long-term Bernd Alois Zimmermann Edition now continues with this ambitious ‘Recomposed’ project, placing six of his own works within...
Reviewed by Richard Whitehouse in issue: 02/2023
Top billing on the booklet cover goes to the ambitious Fantasia on the Old 104th, conceived for the same forces...
Reviewed by Andrew Achenbach in issue: 02/2023
The Souvenir de Florence and Serenade for Strings are two of Tchaikovsky’s sunniest works and have often been paired on...
Reviewed by Mark Pullinger in issue: 02/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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