Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A century before Rodrigo immortalised the palace of Aranjuez in his guitar Concierto (1939), oboist-composer Stanislas Verroust (1814 63) composed...
Reviewed by Guy Rickards in issue: 04/2023
Shostakovich was extremely lucky in at least one respect: in his declining years he married a woman who was perfect...
Reviewed by Marina Frolova-Walker in issue: 04/2023
How does one review a recording of this nature? The very last studio activity of the late Lars Vogt, a...
Reviewed by David Threasher in issue: 04/2023
The piano’s mysteriously, sensuously quivering pianissimo tremolo on to which is spun a long, slowly unfurling violin half-melody, the whole...
Reviewed by Charlotte Gardner in issue: 04/2023
Alpha and the brilliant young Van Kuijk Quartet again steal a march on their CD competitors by offering three Mendelssohn...
Reviewed by Richard Wigmore in issue: 04/2023
Although it has never been forgotten, the music of Pamela Harrison (1915 90) has received few recordings, and those who...
Reviewed by Richard Whitehouse in issue: 04/2023
Charlie Siem and Itamar Golan team up for a commanding, grippingly communicative rendering of Vaughan Williams’s meaty and technically challenging...
Reviewed by Andrew Achenbach in issue: 04/2023
Bára Gísladóttir is emerging as a major figure on the contemporary music scenes in Denmark (where she lives) and Iceland...
Reviewed by Andrew Mellor in issue: 04/2023
The prospect of Adolf Busch writing quartets is an enticing one for any listener curious to hear inside the mind...
Reviewed by Peter Quantrill in issue: 04/2023
I can imagine some listeners finding these interpretations of the Brahms violin sonatas a bit too subdued, although I find...
Reviewed by Andrew Farach-Colton in issue: 04/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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