Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It doesn’t at all surprise me that Scriabin once thought of calling his Poem of Ecstasy ‘Poème orgiaque’ or ‘Orgiastic...
Reviewed by Edward Seckerson in issue: 04/2023
Over a concentrated few days in May 2004, Valery Gergiev conducted the London Symphony Orchestra in an incendiary Prokofiev symphony...
Reviewed by Mark Pullinger in issue: 04/2023
If Italian new music seems a rather less adventurous place now than in previous decades, the emergence of composers such...
Reviewed by Richard Whitehouse in issue: 04/2023
MultiPiano Ensemble’s new album features new arrangements of works by Martin and Shostakovich approved by the composers’ families as well...
Reviewed by Christian Hoskins in issue: 04/2023
The astonishing Frank Dupree here continues his Kapustin odyssey with the fifth of the composer’s six piano concertos, and two...
Reviewed by Jeremy Nicholas in issue: 04/2023
Johannes Klumpp continues sweeping up the remaining early symphonies in the Haydn cycle inaugurated by Thomas Fey almost a quarter...
Reviewed by David Threasher in issue: 04/2023
Ravenna-based Accademia Bizantina and harpsichordist Ottavio Dantone have never been monogamous with record companies – their prolific discography has been...
Reviewed by David Vickers in issue: 04/2023
In 1887, after three years of work, Bruckner sent the completed score of the Eighth Symphony to the conductor Hermann...
Reviewed by Christian Hoskins in issue: 04/2023
My discovery of this extraordinarily recreative take on Beethoven’s Violin Concerto coincided with a period when the notion of ‘presentism’...
Reviewed by Rob Cowan in issue: 04/2023
The Third and Fourth Concertos round out what has been an impressive Beethoven cycle. Let’s start with the conducting. Vasily...
Reviewed by Jed Distler in issue: 04/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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